Javanese philosophy in political ethics of Indonesia.

In the Critique of Pure Reason, Kant announced the birth of transcendental philosophy by turning to the “subject;” in the First Introduction to the Wissenschaftslehre, Fichte launched his style of transcendental philosophy by turning to the “I”; and, finally, in the Cartesian Meditations, Husserl introduces the “transcendental attitude” by turning to the transcendental subject. What is it then that characterizes the subject that transcendental philosophy in all its varied forms is, in one form or another, based on it? I want (...) to defend the thesis that it is the interpretive power of the subject that makes it a productive ground of transcendental philosophy. One implication of this claim is that the current debate about the primacy of hermeneutics over philosophy is misguided. This debate began with Heidegger’s critique of Husserl. It has been advanced by Gadamer and, to be sure, by Derrida. Hermeneutics and philosophy are not opposed; on the contrary, they relate to one another interdependently. However, because of the teleological determination of philosophy—to find the truth—it is transcendental philosophy that posits and limits the scope of hermeneutics, i.e., the interpretive powers of the subject. Another consequence of the thesis proposed is that the interdependence of transcendental philosophy and hermeneutics nullifies the ground of the debate about the question whether transcendental philosophy is inherently idealistic; it will turn out that a consequent transcendental philosophy is both idealistic and realistic. (shrink)

This paper reviews recent applications of the Einstein- Rosen type space-times to some problems of modern cosmology. An extensive overview of inhomogeneous universes filled with gravitational waves, classical fields, and relativistic fluids is given. The dynamics of primordial inhomogeneities, such as gravitational and matter waves and shocks, their interactions, and the global evolution of the models considered, is presented in detail.

Ordo II comprises the work that made Erasmus famous, namely the Adagia some of which were extended into essays. This first volume of the Adages in the Amsterdam edition of the Latin texts of Erasmus gives a general introduction to the Adages in German, as well as a critical edition of the Latin text of the first half of the first thousand Adages.

_Ordo II_ comprises the work that made Erasmus famous, namely the _Adagia_ (Proverbs) some of which were extended into essays. This first volume of the _Adages_ in the Amsterdam edition of the Latin texts of Erasmus gives a general introduction to the _Adages_ in German, as well as a critical edition of the Latin text of the first half of the first thousand _Adages_.

_Ordo II_ comprises the work that made Erasmus famous, namely the _Adagia_ (Proverbs) some of which were extended into essays. This first volume of the _Adages_ in the Amsterdam edition of the Latin texts of Erasmus gives a general introduction to the _Adages_ in German, as well as a critical edition of the Latin text of the first half of the first thousand _Adages_.

'함양과 체찰-조선의 지성 퇴계 이황의 마음공부법'은 퇴계의 생애와 사상을 핵심적으로 요약한 뒤에 '자성록'을 뼈대로 퇴계의 가르침을 재구성하고 있다. 또한 ‘활인심방’과 ‘수신십훈’ 등 퇴계 이황의 행동적 가르침을 첨가해 그의 삶과 철학을 소개한다. ‘함양과 체찰’은 지폐속에 박제화된 퇴계를 생생하게 되살리고, 난해하게 인식되는 그의 이론을 현대인이 소화하기 쉽게 풀어 쓰고 있다. '함양과 체찰'을 통해 현대의 한국인들은 퇴계의 지혜를 부담 없이 접할 수 있을 뿐만아니라, ‘공부하는 인간, 퇴계’라는 측면에서 퇴계의 생애와 철학을 명료하게 재구성하고 있어서 학자로써의 퇴계와 인간 퇴계의 일면도 재미있게 엿볼 수 있다.

M. Dupréel est, avant tout, un moraliste et un sociologue, et sa théorie de la connaissance est, nettement, d'inspiration sociologique. En insérant les problèmes de la connaissance dans la trame de la vie sociale, en raisonnant sur une pensée complète, et non sur une pensée appauvrie et schématisée, M. Dupréel arrive à des conclusions qui sont souvent très proches de celles que le lecteur est habituéà lire dans Dialectica.Je fais précéder les extraits choisis d'indications bibliographiques qui concernent uniquement les travaux (...) dont ces fragments ont été tirés; il ne faudrait donc pas u voir la liste complète des œuvres de M. Dupréel. (shrink)